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Like many of The Who's earlier "mod" output, the song boasts clear influences of American R&B, most explicitly in the call and response form of the verses; Daltrey would sing a line, and the backing vocalists Townshend and John Entwistle would respond with the refrain "Talkin' 'bout my generation":
The vocal melody of "My Generation":
is an example of the shout-and-fall modal frame. (Middleton 1990, p.207)
Another salient aspect of "My Generation" is Daltrey's delivery: an angry and frustrated stutter. Various stories exist as to the reason for this distinct delivery. One is that the song began as a slow "talking" blues number without the stutter, but after being inspired by John Lee Hooker's "Stuttering Blues", Townshend reworked the song into its present form. Another reason is that it was suggested to Daltrey that he stutter to sound like a British mod on speed. It is also proposed, albeit less frequently, that the stutter was introduced to give the group a framework for implying the expletive "fuck" in the lyrics: "Why don't you all fu.. fu.. fade away!" However, Producer Shel Talmy insisted it was simply one of those "happy accidents" that he thought they should keep. The BBC initially refused to play "My Generation" because they did not want to offend people who stutter, but they reversed their decision after it became a huge hit.
The instrumentation of the song duly reflects the lyrics: fast, aggressive, and laced with attitude. Significantly, "My Generation" also featured one of the first bass solos (by John Entwistle) in rock history. The song's coda features an explosive burst of drumming from Keith Moon, whereupon the song breaks down somewhat awkwardly in spurts of guitar feedback from Pete Townshend, rather than fading out or ending cleanly on the tonic.
The song was released as a Single in November 1965, reaching number two in the UK and number 74 in America. [3] "My Generation" also appeared on The Who's 1965 debut album, My Generation (known as The Who Sings My Generation in the USA), and in greatly extended form on their live album Live At Leeds (1970)."
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